Here, I post my reviews and document my love of opera. I hope you enjoy it. Please feel free to comment on any of my posts or contact me if you wish to.
Have a nice stay!
David Buchler
La traviata had a somewhat complicated beginning. This opera – The Fallen Woman – is a Verdi opera in three acts, adapted from the novel La Dame aux Camelias by Alexandre Dumas. It opened in 1853 at La Fenice in Venice.
At a time of real austerity the Stavros Niarchos Foundation have contributed over €500m to a brand new cultural centre, which includes a 1,400 seater Greek National Opera auditorium, as well as 210,000 square metres of national park. The cultural centre was completed and donated to the Greek state in 2017 and now stands as a beacon to the metropolitan cultural heritage of Greece and a global architectural landmark.
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Engelbert Humperdinck was born in 1854 and was recognised as a disciple of Wagner. His most famous composition was the opera Hansel and Gretel, which had its World Premiere in Weimar, Germany in 1893, under the baton of Richard Strauss. It was an overwhelming success and even to this day, the sugar-coated musical sounds are sweet to the ear.
Nine months ago I reported on the opening of Barry Kosky’s new take on Carmen. It was unlike anything seen before at the ROH and at many times was visually stunning. However, the problem is that despite some stunning scenes, including a 20 foot black dress train (both long and wide!) for Carmen in the final Act, the production overall lacks warmth in the heat of the Spanish sun and indeed it is cold in its interaction between principals. The constant streaming across the stage steps by principals and chorus does not add to the village or factory atmosphere, as was required by Bizet. However interesting the production appeared to be, it was in fact the collage of the scenes that provided the interest, rather than the visual impact throughout the evening.
Giuseppe Verdi’s premiere of the opera Simon Boccanegra in Venice in 1857 was not a popular success. Indeed it was not until a major revision unveiled in 1881 in Milan, that Boccanegra finally became part of the standard operatic repertoire – a quarter of a century after its opening.
Giacamo Puccini’s La boheme is probably the most popular of all operas in the classical repertoire. This 4 act opera had its world premiere in Turin in 1896 and was conducted at that time by Toscanini. 50 years later he conducted a commemorative performance in New York, which was recorded by RCA.
Giacomo Puccini’s first staged work was the one act opera ‘Les Willis’ based on a short story by Jean Baptiste-Karr. The story tells the tale of the love between Anna and Roberto. Roberto is enchanted away from Anna by another and Anna dies of a broken heart. Her father calls upon the ‘Villi’ to take vengeance and the Fairies make Roberto dance until he dies of exhaustion. This one act opera was written for a competition, but politics played and it did not get even an honourable mention. However, Puccini’s work was heard by Ricordi, who immediately recognised its outstanding qualities and he published the work.
In 1958, Benjamin Britten was asked to write a work for the consecration of the new Coventry Cathedral – the old one had been bombed and destroyed in 1940 and hundreds of people had died. Britten decided that this work would commemorate the dead of both World Wars and his text combines the traditional Latin Mass for the Dead, with fairly dour poems by Wilfred Owen. After its premiere in 1962, Shostakovich regarded Britten’s War Requiem as ‘The greatest work of the 20th century’ and indeed it was universally hailed as a masterpiece.
Jules Massenet took a novel from Goethe to compose a lyrical 4 act opera from a French libretto by Eduard Blau. It was meant to have its premiere at the Paris Opera Comique in 1887, but due to a fire at the Opera House this did not happen and it did not take place until 1892 in a German language translation in Vienna. The French language premiere followed that year in Geneva.
David Alden’s 2008 staging is brought back to the Coliseum for its second revival, with an outstanding cast, a compelling translation into English by Amanda Holden and clever moving sets by Charles Edwards. This is a truly interesting performance of a subject – forced marriage, here of Lucia – which is relevant in some communities even today. However, this is the Scottish Highlands and the dark and unattractive costumes, designed by Brigitte Reiffenstuel, are a testament to Highland imagery.
In a remarkable career spanning six decades, Giuseppe Verdi 1813-1901, composed nearly 30 operas, at least half of which are at the core of today’s repertoire. His Requiem, premiered in 1874, stands as a unique testimony to his artistic and human vision and is a setting of the text for the Roman Catholic mass for the dead as it existed until its revision in 1970.
Porgy & Bess, the folk opera composed by George Gershwin with the libretto by the original author, DuBose Heyward and Lyricist, Ira Gershwin, was first performed in Boston in 1935. The libretto tells the story of Porgy, a black disabled street beggar living in the Charleston slums, attempting to rescue his love, Bess, from the clutches of Crown, her violent and possessive lover, and her drug dealer, Sporting Life.
Götterdämmerung, the last of the four operas making up Wagner’s Ring Cycle, held our breath throughout the six and a half hours of operatic intensity. Keith Warner’s production comes to its sizzling end as the ring and the gold is once more returned to its home with the rhinemaidens, beautifully, and finally fleshily, played by Lauren Fagan, Christina Bock and Angela Simkin.
For those opera lovers expecting a standard fayre Salome, this production is not for you.
Die Walkure is the second part of Richard Wagner’s Ring Cycle and is based on Norse mythology, where a Valkyrie is a female figure who decides in battle which soldier shall live or die. It received its premiere in Munich in 1870 and was first presented as part of the complete Ring Cycle in 1876 in Bayreuth.
Rheingold is the first of four operas that constitute Wagner’s der Ring Des Nibelungen and was premiered in Munich in 1869. Wagner wrote the Ring librettos in reverse order, with Rheingold last but the first to be set to music. The premiere of the whole Ring Cycle was at the Bayreuth in 1876.
What fun, as is usual when young singers perform together in any environment and this was no exception. Four Sopranos, each different and each one showing us an incredible range and repertoire was a real treat.
Paul Bunyan is an American legend – a giant lumberjack with Titanic power and strength. In folklore, he and his blue ox named Babe are said to be responsible for the creation of several American landscapes and natural wonders including the 10,000 lakes of Minnesota, Mount Hood and the Grand Canyon. Today undoubtedly, in Trump’s America, they would regard this as ‘fakelore’!
As the thunderstorm roared and the rain fell on the canvas roof, Opera Holland Park’s Ariadne got off to a slow and uncertain start. The prologue and particularly The Party Planner of Eleanor Bron were most difficult to hear, that is until the entrance and the ecstasy of The Composer sung by the Swedish soprano, Julia Sporsen. She was a revelation with flawless delivery and a performance that tugged at the heartstrings, particularly when confronting her relationship with the Zerbinetta of Jennifer France.
Not particularly well received at its premiere, as with others he directed, specifically Meistersingers, Kasper Holten’s production of Don Giovanni, revived by Amy Lane, becomes a much more interesting and user friendly production third time round.
