Here, I post my reviews and document my love of opera. I hope you enjoy it. Please feel free to comment on any of my posts or contact me if you wish to.
Have a nice stay!
David Buchler
All tagged Keel Watson
Puccini’s ‘disaster’ Madam Butterfly premiered at La Scala Milan in February 1904 and was so badly received that it wasn’t until the summer of 1904 that a second version was more successful. Thereafter there were more revisions until the 1907 fifth revision, which became today’s ‘standard version’.
Calixto Bieito, the Director of this production, first seen in 2012, brings his own personal interpretation of an unyielding Carmen in the midst of early 1970’s Franco-type testosterone-filled masculinity. No quarter is given. The male soldiers are at the same time playful boys and violent nasty male caricatures. The misogynistic treatment of women stands out in this stripped back production, but the gratuitous violence that simmers throughout the evening is at times unedifying and disturbing.
Philip Glass’s Akhnaten, written in 1983, is an opera in three Acts based on the life and religious convictions of the Egyptian Pharaoh, Akhnaten. The opera was commissioned and premiered in Stuttgart Germany and the American premiere was directed a year later in Houston by the Australian Opera Director, David Freeman. The English premiere was staged in 1985 by ENO, who now stage its new 2016 production in partnership with the LA Opera. The Egyptian and Hebrew texts are all taken from original sources, as indeed is the juggling whose source had been discovered as graffiti on the wall in an Egyptian tomb.
Mozart’s The Marriage of Figaro was premiered in Vienna in 1786. It’s a 4 Act opera buffa, with the libretto written by Lorenzo Da Ponte. It was written several years after the plot of the Barber of Seville and recounts a single day of madness in the palace of Count Almaviva near Seville Spain.
