All tagged Antonio Pappano

La forza del destino – Verdi – Royal Opera House

The starry eyed opening of Christof Loy’s new production of Verdi’s La forza del destino was triumphant with the world’s greatest singers in the title roles - Anna Netrebko as Leonora, Jonas Kaufman as Don Alvaro and Ludovic Tezier as Don Carlo.  This was casting as good as it gets and a really exciting evening was enjoyed by all that were present. 

Verdi's Requiem at the Royal Opera House

In a remarkable career spanning six decades, Giuseppe Verdi 1813-1901, composed nearly 30 operas, at least half of which are at the core of today’s repertoire.  His Requiem, premiered in 1874, stands as a unique testimony to his artistic and human vision and is a setting of the text for the Roman Catholic mass for the dead as it existed until its revision in 1970. 

Die Walkure at the Royal Opera House

Die Walkure is the second part of Richard Wagner’s Ring Cycle and is based on Norse mythology, where a Valkyrie is a female figure who decides in battle which soldier shall live or die.  It received its premiere in Munich in 1870 and was first presented as part of the complete Ring Cycle in 1876 in Bayreuth.

Macbeth at the Royal Opera House

Verdi’s first version of Macbeth was completed in 1847.  It was his first Shakespeare play that he adapted for the operatic stage. This was a golden period of composition by Verdi stretching 16 years, which saw him produce 22 different operas, including, amongst others, Rigoletto, Il trovatore and La traviata. 

La Boheme at Royal Opera House

What is a banker in operatic terms?  This is not a financial question!  Stand up Richard Jones for producing a La Boheme banker for the Royal Opera House, which will undoubtedly be performed for many years to come, but I imagine not as much as the wonderful old production by John Copley. 

Die Meistersinger at the Royal Opera House

It’s a mess.  Not musically, but in Kasper Holten’s last production for the ROH as Artistic Director he really hasn’t come to terms with the complexities of the piece and too many gimmicks abound, which simply do not make sense.  His production of Eugene Onegin was poor, but in some respects this production is really awful.